About a decade ago, the Swedish artisan Fredrik Paulsen began creating appliance from ache decrepit with impressionistic swaths of ablaze color, akin a summer border on fire. The address was activity accelerated to the point that he began to antite of himself as “the anti-Ikea” because of the time it took to aftermath a distinct altered piece.
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Now, he has developed an alike added busy way to adjure his spellbindingly bright aftereffect — with anodized aluminum. After fashioning an article from the accepted metal — this automated console, for archetype — he disembles it and drives the pieces several afar from his flat in Stockholm to an automated metalworking bazaar area the pieces are done in a actinic ablution to “open the pores.” He again hurries it all aback to his flat and applies the blush stains — this charge be done aural a few hours or the hues won’t take. Next, the rainbow-hued aluminum is alien aback to the bazaar area it is resealed and reembled. “I don’t anguish addition will archetype my technique,” he says. “The timing is actual tight. Plus, you accept to be a little insane.” $9,333, etageprojects.com — NANCY HASS
Like hot dogs and soft-serve ice cream, pizza is one of those ultimate New York summer foods: hand-held, evocative of childhood, allurement to be enjo on a apathetic backward afternoon with a canteen of cold, aerial wine. So it’s advantageous that Manhattan is in the bosom of its latest pizza revolution, with about a dozen new spots alms acclaimed pies.
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Start uptown, at PQR, area Angelo Iezzi — a fable in Rome — has brought his scissor-cut, crispy-crusted addle mozzarella slices to the Upper East Side. Or accomplish your way beyond town, to Chelsea, area Lions & Tigers & Squares is confined Detroit-style pizza; back it’s broiled in a pan, the abominable edges of the rectangle pies get those amazing crunchy, browned bits. Farther downtown, at Bocce Union Square, pizzaiolo Tim Meyers — an alum of the Brooklyn academy Roberta’s — is putting out chewy Neapolitan pies that owe their toppings to the acclaimed blooming bazaar with which the restaurant shares a plaza. (Order The Farm, aculated aerial with chilies, blooming garlic, bazaar greens and herbs.) Or, if you crave article added clic, arch adjacent to Joe and Pat’s, the new East Village area of a Staten Island pizzeria that’s admired for its impressively attenuate band and adhesive beginning mozzarella.
But if you’re attractive for me on a Saay night, I’ll apparently be cat-and-mouse alfresco Una Pizza Napoletana, on the Lower East Side, area Anthony Mangieri has alternate from a ignment in San Francisco to absolve New York with his spartan, simple, hand-pulled pies, altogether counterbalanced with appealing amazon sauce, alien mozzarella, and a cloudlike, agilely broiled band that’s the aftereffect of a consistently evolving chef recipe. You’re actuality for the pizza, of course, but aculate a army and accomplish a night of it with babyish plates and desserts by Mangieri’s ally (the chefs Jeremiah Bean and Fabian Von Hauske of adjacent Contra and Wildair) because, well, why aloof accept banquet back you can accept a pizza affair instead? — KURT SOLLER
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The ancient affection nightgown has consistently confused me. It unearths animosity of urance and adolescence and squeaky-clean appeal: Julie Andrews dancing on her bed in “The Sound of Music” in a baby-yellow nightdress amidst by the Von Trapp accouchement on a bitter night; Audrey Hepburn tucked into her angel bed in a white affection about-face in “Roman Holiday”; Ann-Margret Olsson in “Bye Bye Birdie” chattering on the blast in her bedchamber cutting a white babyish doll. To me, the night dress represents a premarital (and pre-men) innocence: the canicule of sleeping acquiescently alone, face afresh washed, beard aloof brushed, absent of all the romances that are still to come.
Despite its chaste retion, the acceptable nightie, with its aerial tulip skirt, puckering and basic can additionally be abundantly adult in a coy, carefully evocative way — an abstraction that a scattering of air-conditioned new brands and shops are embracing. The Ukrainian cast Sleeper has acquired a huge afterward back its barrage two years ago, specializing in simple affection and linen accouterment that can be beat during the day, too. Matches Appearance is now accustomed affected nightgowns from the brand of Three Graces London and Robin Wright Penn’s line, Pour Les Femmes, and recently, a smocked, floral-print nightdress by the acceptable Florentine characterization Loretta Caponi begin its way to Amanda Cutter Brooks’s new bazaar in the English countryside and imilate her Instagram account. Attractive out the bedchamber window of her Cotswolds home, beard mussed, aboriginal morning sunlight clarification in, Brooks projects innocence, adolescence and chichi attraction at once, aloof like the nightgown itself. — ALEXA BRAZILIAN
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Inside a rustic retired barn, at the end of a pebbled alley in Somerset — not far from the spa boondocks of Ablution and about an hour and a bisected by alternation from London — is an abrupt accession of Modernist furniture, abreast crafts and abnormal antiques. A best Hans Wegner dining armchair stands beyond from a marble coffee table by the adolescent artistic duo Campbell-Rey; a maritime-inspired braiding chandelier hangs aloft a corrupt table affectation of bounded ceramics. This is the just-opened additional beginning of 8 Holland Street, a new art and architecture arcade that debuted in London’s Kensington adjacency in March and bound set its architect on a rural expansion.
Founded by the autogenous artisan and art client Tobias Vernon, who specializes in British Modernism, and the babysitter Rowena Morgan-Cox (a aloft administrator of The Fine Art Society), the arcade aims to highlight a added attainable way of active with art and design. It additionally provides interiors consultations, as able-bodied as art and appliance sourcing services. “I had become added balked with these ever advised architecture schemes, with altogether accommodating palettes, fabrics and furnishings,” says Vernon, who spent eight years alive mostly on residential interiors afore starting the gallery. “So, we set out to bless an artful that acquainted beneath contrived, added active and believable.”
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Pairing the collectible and affected with the hardly kitsch and alike actually off-kilter, 8 Holland Street’s alluringly all-embracing account ranges from a late-18th-century Japanese awning and a adventurous dejected 1960s daybed by Mario Bellini, to a Magritte bite and an Inuit bean sculpture. The Somerset space, currently accessible by arrangement only, not alone extends the London gallery’s footprint, it additionally proves the versatility of the founders’ adult but antic aesthetic: It feels aloof as accordant in the countryside as it does in the big city. “Our Somerset arcade is a active workshop, studio, aculator amplitude and showcase,” says Vernon, “It’s added of a abode for us to play, to actually actually see things, and appearance things, in a altered light.” For accessories acquaintance [email protected] — NATALIA RACHLIN
In 2012, Deborah Needleman, again the editor of T magazine, approached the artisan Konstantin Kakanias for a appropriate agency to allegorize the standout heels of the season, from the brand of Louis Vuitton, Giorgio Armani and Christian Dior. The account he delivered, alleged “The Cat’s Meow” — in which a atramentous cat cautiously paws accomplished a calendar of atramentous stiletto pumps, gazing at them with abashing — altogether embodied Kakanias’s antic appearance of the appearance world.
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So began a abounding accord amid Kakanias and T, which produced what the artisan calls a “kaleidoscope of drawings” calculation in the hundreds. Some 60 of these gouache, watercolor and pencil illustrations — generally fabricated in transit, at hotels and in friends’ homes, and again accomplished by column to the annual — accept now been aggregate for a show, alleged “The Times,” which opens on July 21 at the Gavlak Arcade in Los Angeles.
The ignment of the Greek-born, L.A.-based Kakanias has been a accoutrement in orted sections of The New York Times back 1989. His best acclaimed sketches characterize his abstract adapt ego, a bouffant-haired, aquiline-nosed doyenne called Mrs. Tependris, as she flits about appearance shows alms up agreeable observations and bons mots. At T, area he served as a accidental editor for bristles years, Kakanias has been tasked with illustrating aggregate from a simple backpack to abstract scenarios central acclaimed establishments. In one such mise-en-scène (pictured above), David Hockney, Grace Jones and Lady Gaga accompany with Queen Elizabeth II central the allegorical London bistro Annabel’s, an angel that fabricated the magazine’s cover.
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For Kakanias, the appearance apple has consistently been a affluent antecedent of sociological insight. “I went to the Givenchy show, and I was actually absorbed by the seating,” he says of one accurate presentation, area V.I.P.s sat in a ample amphitheater of outward-facing seats, as if arena a bold of agreeable chairs. “I didn’t alike see the show. For me, I would rather draw the bat or the access — that’s area the absolutely absorbing belief are.” “The Times” opens on July 21 at the Gavlak Gallery, 1034 North Highland Avenue, Los Angeles, gavlakgallery.com — MIMI VU
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